I thought I'd provide a little writer's update this morning.
I woke up this weekend to another day of spring-time New England snow. The picture that I posted is part of the view from my front lawn. There wasn't too much snow, but I still enough of it that had to clear my driveway in the morning - so that my two daughters could get to the horse barn on time (two of my daughters ride horses - the third does not).
I'm about half way through the first rough draft of Book 2 of the Stormfall Chronicles. I have a lot more writing and editing to go before I can have my daughters review the text as beta-readers for the next installment. I'm hoping to see the second book published during the summer, in June or July.
The writing/editing process is both exciting and painstaking. I get so enthusiastic writing the chapters, looking forward to my daughters' reactions to certain scenes. But it takes a lot of commitment to get it to the point where I'm ready to have it reviewed - much less released for publication.
Hope everyone has a warm and cozy day.
Sunday, March 24, 2019
Friday, March 15, 2019
Anime Review: Maquia
Maquia: When the Promised Flower Blooms (2018)
⭐⭐⭐⭐
Today I will be reviewing a somewhat lesser-known 2018 Japanese anime film, Maquia.
The movie follows the story of a young woman named Maquia, who is a member of the Iorph - an extremely long-lived race that can live hundreds, if not thousands of years. In the film, the Iorph are legendary as weavers of fine cloth, living in a remote community separated from humankind. To outsiders, the Iorph appear to remain unaged past their adolescent years.
The long lives that the Iorph are blessed with make them the subject of both jealousy and fear among outsiders - a fear that leads their community to be raided and destroyed by a neighboring human kingdom, their survivors scattered or taken as captives.
Despite its otherwise fantasy setting, however, Maquia is actually a story about motherhood. It is a tale about what it means to be a mother and about the bonds between parent and child. Separated from her people, Maquia adopts an orphaned human boy, who grows to adulthood under her watchful care. Through the years, their relationship undergoes a transformation from childhood dependency, to the rebellious phase of teenage youth, to adulthood - where her adopted son finally comes to terms with all that he owes to the mother that raised him.
This mother-child dynamic is further highlighted, by contrasting the relationship between Maquia and her adopted son Ariel, and that between Leilia and her biological daughter Medmel. Leilia is another member of the Iorph, but one who has become the prisoner of the kingdom that destroyed their community. She is forced to become the consort of the kingdom's crown prince - but is separated from her daughter, Medmel soon after birth.
On the one hand, there is Maquia. Throughout the years, she is constantly doubting her role as a mother: questioning whether she is up to the task, whether she has done all that she possibly could for her son, whether she is even worthy of being called a mother. In stark contrast, Leilia has no such doubts about her own motherhood - but is forever denied the role of mother by the royal family that has imprisoned her and separated her from her child. It is a separation that plunges her into a brooding despair - aware of all that she cannot be.
The film highlights the enduring, and undying love of a mother for her child - regardless of adversity. It emphasizes that this role and responsibility is ever-present, regardless of whether that child was their biological offspring or their adopted family member.
Maquia is at times a heartrending fantasy drama, a paean to motherhood that explores what it means to be a mother, and how much a parent is willing to surrender of their lives for the well-being of their offspring. I am not going to suggest that the movie is without flaws. The story-line can seem a little disjointed at times, demanding that viewers pay close attention or risk missing key elements or scene transitions. But the quality of the animation remains stunning, and the story and the themes that it raises are deeper than what many live-action dramas would dare to discuss.
I therefore have to classify Maquia as one of those special, rare anime finds that was often overlooked at the box office, but which is nonetheless truly worth seeking out.
⭐⭐⭐⭐
Today I will be reviewing a somewhat lesser-known 2018 Japanese anime film, Maquia.
The movie follows the story of a young woman named Maquia, who is a member of the Iorph - an extremely long-lived race that can live hundreds, if not thousands of years. In the film, the Iorph are legendary as weavers of fine cloth, living in a remote community separated from humankind. To outsiders, the Iorph appear to remain unaged past their adolescent years.
The long lives that the Iorph are blessed with make them the subject of both jealousy and fear among outsiders - a fear that leads their community to be raided and destroyed by a neighboring human kingdom, their survivors scattered or taken as captives.
Despite its otherwise fantasy setting, however, Maquia is actually a story about motherhood. It is a tale about what it means to be a mother and about the bonds between parent and child. Separated from her people, Maquia adopts an orphaned human boy, who grows to adulthood under her watchful care. Through the years, their relationship undergoes a transformation from childhood dependency, to the rebellious phase of teenage youth, to adulthood - where her adopted son finally comes to terms with all that he owes to the mother that raised him.
This mother-child dynamic is further highlighted, by contrasting the relationship between Maquia and her adopted son Ariel, and that between Leilia and her biological daughter Medmel. Leilia is another member of the Iorph, but one who has become the prisoner of the kingdom that destroyed their community. She is forced to become the consort of the kingdom's crown prince - but is separated from her daughter, Medmel soon after birth.
On the one hand, there is Maquia. Throughout the years, she is constantly doubting her role as a mother: questioning whether she is up to the task, whether she has done all that she possibly could for her son, whether she is even worthy of being called a mother. In stark contrast, Leilia has no such doubts about her own motherhood - but is forever denied the role of mother by the royal family that has imprisoned her and separated her from her child. It is a separation that plunges her into a brooding despair - aware of all that she cannot be.
The film highlights the enduring, and undying love of a mother for her child - regardless of adversity. It emphasizes that this role and responsibility is ever-present, regardless of whether that child was their biological offspring or their adopted family member.
Maquia is at times a heartrending fantasy drama, a paean to motherhood that explores what it means to be a mother, and how much a parent is willing to surrender of their lives for the well-being of their offspring. I am not going to suggest that the movie is without flaws. The story-line can seem a little disjointed at times, demanding that viewers pay close attention or risk missing key elements or scene transitions. But the quality of the animation remains stunning, and the story and the themes that it raises are deeper than what many live-action dramas would dare to discuss.
I therefore have to classify Maquia as one of those special, rare anime finds that was often overlooked at the box office, but which is nonetheless truly worth seeking out.
Monday, March 11, 2019
Paperback Edition of "Storm's Herald"
I have finally published a paperback edition of Storm's Herald:
https://www.amazon.com/dp/1799212165/
On the one hand, most indie authors of fantasy fiction understand that the vast majority of their book sales will be through eBooks. However, there are still a few readers that prefer to hold a book in their hand, including a number of potential reviewers. I therefore decided to release a paperback edition of the book, in addition to the eBook version.
A few observations from the paperback release the process:
All told, however, the process was easier than I had thought it might be. Certainly much easier than the writing and editing process that generated the manuscript.
https://www.amazon.com/dp/1799212165/
On the one hand, most indie authors of fantasy fiction understand that the vast majority of their book sales will be through eBooks. However, there are still a few readers that prefer to hold a book in their hand, including a number of potential reviewers. I therefore decided to release a paperback edition of the book, in addition to the eBook version.
A few observations from the paperback release the process:
- Formatting a manuscript for a paperback edition is slightly more complicated than publishing an eBook edition. Left and right hand margins need to alternate, to allow the book to be bound. Moreover, the size of the font and the page sizes need to be adjusted to match publishing requirements. This is very different from the eBook version - where font selection and font sizes are adjusted automatically to reflect the preferences and settings of the individual reader or device. In addition, the fonts selected need to be embedded into the electronic document for submission to the printing house.
- Having been through this process once now, I can say that the format templates provided by Amazon were very helpful. It is nonetheless essential to go back through the proof copy of the page layout after the manuscript has been submitted, to be sure that everything loaded as anticipated.
- Although the Kindle Direct website suggests that it's preferable to submit the paperback manuscript as a pdf file, I found that it was actually easier to submit the manuscript directly from my MS Word file. The pdf option produced errors that did not occur when submitting the MS Word version of the same document. Go figure.
- Another difference between the eBook and the printed version of the document, is that the Table of Contents needs to be embedded in the manuscript as text - not as a hyperlinked table. The hyperlinks tend to produce errors when submitting, and the page numbering sequence also doesn't seem to match once the conversion to a printer-ready version has been made. I had to manually verify that the page numbers in the Table of Contents were still in alignment with the proof document.
All told, however, the process was easier than I had thought it might be. Certainly much easier than the writing and editing process that generated the manuscript.
Subscribe to:
Posts (Atom)